Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Nozzles --- Cracking.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Nozzles --- Pressurized water reactors --- Welding --- Cracking. --- Loss of coolant.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Art --- Primaticcio, Francesco --- Exhibitions --- Influence --- Château de Fontainebleau (France) --- Art [Italian ] --- France --- 16th century --- Fontainebleauschool of art --- Kunst --- Fontainebleau school of art --- Art, Italian --- CDL --- 75.071 PRIMATICCIO --- Italian art --- Bamboccianti (Group of artists) --- Corrente (Group of artists) --- Cracking Art (Group of artists) --- Fronte nuovo delle arti (Group of artists) --- Geometria e ricerca (Group of artists) --- Girasole (Group of artists) --- Gruppo 1 (Group of artists) --- Gruppo Aniconismo dialettico (Group of artists) --- Gruppo di Como (Group of artists) --- Gruppo di Scicli (Group of artists) --- Gruppo Enne (Group of artists) --- Gruppo Forma uno (Group of artists) --- Italiens de Paris (Group of artists) --- Mutus Liber (Group of artists) --- Novecento italiano (Group of artists) --- Nuovi-nuovi (Group of artists) --- Origine (Group of artists) --- Sei pittori di Torino (Group of artists) --- Transvisionismo (Group of artists) --- Ecole de Fontainebleau --- School of Fontainebleau --- Art, French --- Primaticcio, Francesco, --- Primatice, --- Le Primatice, --- Château de Fontainebleau (Fontainebleau, France) --- Fontainebleau Palace (Fontainebleau, France) --- Palais de Fontainebleau (Fontainebleau, France) --- Drawing --- Engraving --- Painting

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This book explores how Pius VI, the last great papal patron of the arts in the Renaissance and Baroque tradition, used the arts as a means of countering growing hostility to the old order and the supremacy of the papacy. Pius' initiatives, included the grand sacristy for St. Peter's, the new Vatican Museum of ancient art, and the re-erection of Egyptian obelisks. These projects, along with Pius' use of prints, paintings, and performances, created his public persona, and helped to anchor Rome's position as the cultural capital of Europe.

Art, Italian --- Christianity and art --- Art --- Catholic Church. --- Political aspects --- History --- Pius --- Art patronage. --- Catholic Church and art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Italian art --- Bamboccianti (Group of artists) --- Corrente (Group of artists) --- Cracking Art (Group of artists) --- Fronte nuovo delle arti (Group of artists) --- Geometria e ricerca (Group of artists) --- Girasole (Group of artists) --- Gruppo 1 (Group of artists) --- Gruppo Aniconismo dialettico (Group of artists) --- Gruppo di Como (Group of artists) --- Gruppo di Scicli (Group of artists) --- Gruppo Enne (Group of artists) --- Gruppo Forma uno (Group of artists) --- Italiens de Paris (Group of artists) --- Mutus Liber (Group of artists) --- Novecento italiano (Group of artists) --- Nuovi-nuovi (Group of artists) --- Origine (Group of artists) --- Sei pittori di Torino (Group of artists) --- Transvisionismo (Group of artists) --- Catholic Church --- Pie --- Pio --- Braschi, Giovanni Angelico --- Braschi, Giovanni Angelo --- Pius VIII --- Art patronage --- Art [Italian ] --- Italy --- Rome --- 18th century --- Braschi, Gianangelo, --- Braschi, Gianangelo --- Art, Primitive --- Art, Italian - Italy - Rome - 18th century. --- Christianity and art - Catholic Church. --- Art - Political aspects - Italy - Rome - History - 18th century. --- Pius - VI, - Pope, - 1717-1799 - Art patronage. --- Pius - VI, - Pope, - 1717-1799